What is the hairstyle of the dancer of “Only Green and Green”?

In 2022, the hottest show of the CCTV Spring Festival Gala is “only this green and green”. In “Only Green and Green”, the dancer Tsing Yi is high, his eyebrows are flowing, long sleeves shake and shake, and you are suitable for Chinese paintings with green mountains and green water. Start digging the creative inspiration and behind -the -scenes story of dance, such as: Who is the eighteen -year -old Northern Song Tiancai painter Wang Ximeng? Where is the real scene corresponding to the “Thousands of Rivers and Mountains”? How the “green waist” is practiced … Not only does it cause a wave of “green waist” challenge online, but offline performances are also difficult to find. For the author, “Only this green and green” is the dancer most impressed by the dancer. If there is no dignified high tall on the top of the dancer’s head, the whole dance seems to be missing something.

The high hoe in the show is called “Peak”

In the “Creation Notes” officially released by the Spring Festival Gala, the director explained that the creative inspiration of “This Green and Green” comes from the “Map of the Thousands of Miles” of the Northern Song Dynasty painter Wang Ximeng. From the “Thousands of Rivers and Mountains”, they pulled out the green and green colors, and used the figurative women’s group to express the image of turquoise mountains in the mountains through dances. Based on this, the dancer’s makeup draws some characteristics of the Song Dynasty makeup. At the same time, the creators also said that they also absorbed and combined with other classical makeup. The eyebrows were called Yuanshan eyebrows, and the buns were called peaks.

Yuanshanmei has already existed in ancient times, represented by Zhuo Wenjun and Zhao Hede in the Han Dynasty. “West Jing Miscellaneous” (Liu Ye of the Western Han Dynasty or East Jin Gehong) records: “Wen Jun is good, the eyebrows are like looking far.” For curly hair, a new bun; for the thin eyebrow, the distant mountain Dai “. The “Yuanshanmei” of the dancers in “Only Green and Green” is not much to say that “peak” is found in classical makeup. Considering that the dance inspiration comes from the “Thousands of Miles and Mountains”, the dancers show the mountains of the mountains. The eyebrow shape and hairstyle naturally have to be stained with the mountain peak image, so there are “distant mountain eyebrows” and “peak”. “Yuanshanmei” archeology is well -founded, and “peak” is the creator of the creator.

Can I find a similar hairstyle in the ancient bun?

Although “Peak” is not from classical, similar hairstyles can be found in classical buns.

The nodes of the ancients, the characters appeared later. The buns are equivalent to having hair, hairstyle, and behind the head or behind the head, with different shapes.

In ancient times, people were generally distributed. my country has a long history of having a long history, and during the period of Hemodu culture, there were fixed buns or crown caps. It can be seen from the jade figurines unearthed from the tomb of the Shang Dynasty. At that time, men and women had hair, and some made a braid, and some were above the head. There are rituals in “Zhou Li”, men and women are about fifteen years old and bumps. Women can marry, men can study.

Starting from the Qin Dynasty, the emperor had formulated the hairstyle hairstyle standard in the form of a scripture. “Chinese Ancient and Modern Note” records, “The Emperor Emperor combed Ling Yunyu, and the three concubines looked at the fairy nine -crickets, and the nine concubines were combed.” , Nai Xianxian “.

Women in the Han Dynasty were popular and high (Emei). Generally, the ladies are still high, and civilians are so low. The hanging buns of the Han Dynasty were mainly tied at the end of the hair, hanging behind the back. Labor women generally only use towel bands, and they insert a small amount of jewelry on their heads. The “national standard” set by the emperor is mostly high, and the “Chinese Ancient and Modern Note” records that “the ancestors of the Han Dynasty, and the palace people combed the saints”, “Emperor Wu made the twelve buns.” “Makeup Book” records, “(Emperor Wu), the queen mother fell, and the followers were flying fairy and nine rings.” Emperor Han Chengjie Zhao Hede “is a curly hair, named a new bun.” “The Emperor Hanming made the palace people comb the lily and the same heart”, “Emperor Ling Emperor made Yao Terrace”. The hermit Liang Hong’s wife, the ugly woman Meng Guang, combed the vertebrae, and it was randomly turned into a vertebrae, which was simpler. General Liang Ji’s wife, Sun Shou, fell into a horse, and dragged his hair on the head side, causing Kyoto women to follow the effect.

During the Wei, Jin and Northern and Southern Dynasties, Emperor Wei Wu ordered the palace people to fight against each other and combed the flowers. When Emperor Wei Wenzhen was dressing up, he saw a green snake. In addition, Cao Wei Palace is also popular. In the Jin Dynasty, there were hibiscus and puppets. The Northern Wei Dynasty is popular with crossbar and snails (the snails are stunned on the top of the head, which should be affected by the meat bun on the top of the Buddha’s head). When Emperor Song Wenwen in the Southern Dynasty, there were folk women combed the sky. Emperor Liang Wudi ordered the palace people to comb the heart and return to the true bun, while the Chen Chao Palace was combed with the clouds.

In the Palace of the Sui Dynasty, Jiuzhen Jiuzhen, Eight -Ya Yao, flippling, sorrow, side buns, side buns, Lingxu buns, Xiangyun buns, Chaoyun near incense bun and so on.

In the Tang Dynasty, the Tang Dynasty, Yu Wenshi, and the monographs of the buns were written, respectively. During Tang Gaozu Wudi, half -turning, anti -buns, and music buns were popular in the palace. During the opening of Xuanzong, he combed the double -wattening of the immortal and back. Yang Guifei often wore a fake 作 and made a sorrow. During the first year of Dezongzhen, he combed his buns and scanned makeup. In the end of the Tang Dynasty, the downturn, which evolved from the falling horse (fallen horse), was also very popular during the Tang and Five Dynasties.

During the Song and Ming dynasties, the popular buns of the Han nationality include the heavens, concentrics, lazy combing, Di Ji, peony head, ease of ease, pine and flat buns, etc. In addition, there are simple hairstyles such as cloth bags (bags) and tie.

In the early Tang Dynasty, half a bun or a peak bun prototype

Among the buns in the past, the peaks of the half -turning buns (also known as a single knife, or a single knife) in the early Tang Dynasty and the peaks in “Only Green and Green” were the most similar.

The semi -turning bun belongs to the anti -pyramided combing method. It is from bottom to top when combing her hair to the top of the head. It looks like a flip lotus leaf, which is evolved from the Sui Dynasty to the pillar of the Sui Dynasty. Duan Cheng’s “Hao Yin Pin” records “there is a half -turn in the Gaozu Palace”, and Yu Wenshi and “Makeup Table” said “Tang Wudi is combed halfway”. It can be seen from the unearthed female figurines and mausoleum murals. From the Tang Gaozu to the Wu Zhou Dynasty, the half -turning buns are very popular. In the murals of Princess New Town, the daughter of Tang Taizong’s daughter, there are many ladies in the half -half of the ladies. In the murals of Princess Yongtai’s grave of Wu Zetian, there are also half -rolling ladies. )Wait. Among the unearthed Tang Sancai female figurines, there are also many ladies who combed halfway.

Like the peaks in “Only Green and Green”, the half -turning bun may be fake. If it is not amazing, it is impossible to comb this high. Today’s fake hair, the ancient name of the vice (deputy 、, auxiliary 笄), and the editor (braid). The Jinliu streaming, Tang Sheng’s righteousness, known as the puppet, the two heads and flags above the Manchu women’s heads, in fact, are actually fake. “New Tang Book” contains: Yang Guifei often uses fake buns as jewelry, and good clothes are good for yellow skirts. The nursery rhymes, the abandoned wigs and yellow skirts, foreshadow Yang Guifei’s miserable ending.

Cover reporter Wen Kanglin

Source: Huaxi Metropolis Daily

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