Feel the beauty of the Tibetan in the Palace Museum

Feel the beauty of the Tibetan in the Palace Museum

I don’t know when it starts,

Traditional literati likes to match a base for utensils

The artifacts are no longer a single study furnishings or the elegant environment built with the base with the base, which brings endless interests.

Due to the development of the furniture industry since the Song and Yuan Dynasties, the exquisite equipment production has received the attention of the courts of the courts since the Song and Yuan Dynasties, especially known as the dynasties to the Qing Dynasty. The instrumental seats in the Qing Dynasty even showed a state of development, which was affected by the Emperor Qianlong to a certain extent.

You can see in the painting “Hongli Viewing the Painting” that all kinds of treasures displayed on the desktop are all very good device seats.

Qing Lang Shining and other Hongli viewing pictures (partial)

Palace Museum

In the history of Chinese traditional craftsmanship, instruments and utensils are one of the most connected and separated instruments.

The number of instruments collected by the Palace Museum, exquisite materials, sophisticated decoration, exquisite design, delicate craftsmanship, some information such as knowledge, equal times, inscriptions, etc., reflect the ingenuity of the artisans in the Ming and Qing dynasties.

The materials involved in these vessels are very rich. Wood, metal, ivory, jade, lacquerware, glass, ceramics, and baggage and other categories are similar to the material of the utensils, or the texture is different. The shape and size of the instrumental seat are rich in changes. Most of the round, square, and polygons are used in shape and lines, and they are flexible.

“The Palace Museum Tibetan Palace Exhibition” site “

The Palace Museum and the Garth Art Center jointly hosted the “Palace of Palace Palace in the Palace Museum” to show the court art of the Palace Museum for the first time.

Exhibition of 132 representative courts

It basically covers various categories, so that the audience can understand the skills of craftsmanship in the Ming and Qing dynasties, and appreciate the beauty of the court at close range.

The collections presented by the Palace House of the Palace Museum are divided into

Metal device seats, tooth seats, jade seats, lacquer seats, wood seats and other materials

Six major categories.

“Metal Block”

It is one of the most attractive parts of this exhibition. The metal -based utensils are high -profile and luxurious. The type of utensils mainly includes religion, study room, diet, furnishings, etc. Material. Its production and decoration combine casting, hammering, and enamel, dotcu, pearl treasure jade inlaid, carved carving, gilt gold and other techniques, which generally express the characteristics of regular and beautiful decoration.

Gold -embedded Pearl Gabara Bowl, Qing Palace (Old Tibetan Tibetan)

16.5cm width 16cm in length

Gold -embedded Pearl Gabara Bowl was made in the 57th year of Qianlong. It is one of the Tibetan Buddhist instruments. The whole body is made of gold. The bottom plate of this bowl is attached to the closed oval shape. It is attached with red and black ellipse. There is a pearl on the waist of the holder of the holder. There is one person at the three points. The outer wall is decorated with lotus patterns. It is also embedded with greenite, turquoise, ruby ​​and red coral beads.

The bottom of the seat is engraved with the four -body text of “Daqing Qianlong” in Tibetan, Manchuria, Mongolia, and Chinese. On the surface of the bottom plate, the seawater riverside and spiral flowing flowers.

Under the base, there are the inscriptions of Tibetan, Manchu, Mongolia, and Han Royal Royal Institute from left to right, respectively.

Waka Ningbo Karma does not pull, and she is a clean -up. Bomi Mountain Cave suddenly appeared, and the age of 2,000 has passed to the present. The five virtues and seven treasures are solemn, and the support is not for the concept of support. Seeing everything is wrong, it is the wisdom of Rulai. Qianlong Renzi Zhongwin Moon Han Yuzan.

Golden embedded color stone back light seat, Qing Palace (Old Tibetan Tibetan)

7.7cm wide 3cm high 10.3cm high

The Old Tibetan Gold Back Light Back of the Qing Palace is the seat of the Buddha statue in the Grand Buddha Hall of the Forbidden City. However, the Buddha statue of this piece has been separated from the Buddha seat.

Shibi enamel pens, late Qing Dynasty (Qing Palace Old Tibetan)

12.8cm wide 8cm high 16.9cm high

The silk enamel pen shelf is multi -purpose. It can be regarded as both and has the function of a stroke. Copper injection is set in the base, and water can also be stored. The copper tires are plated separately, or the silk enamel technology is used to decorate dragon patterns, phoenix patterns, banana leaf patterns, flower patterns, etc. Its enamel glaze is blue, white, green, yellow, and red, and the color is bright.

Kangxi Kangxi Kangxi style enamel lotus petals bowl seat

Qing Qianlong’s silk enamel cover bowl seat

“Tooth seat”

It is the instrumental seat made of ivory. Dental carving craftsmanship is one of the traditional craftsmanship in my country. During the Ming and Qing dynasties, “tooth seats” were a typical type of products in dental carvings. The ivory is used on the seat seat to show the exquisite and charm of the instrumental seat. The “tooth seats” exhibited this time are divided into two types: plain and dyeing. The techniques such as carving, relief, round carving, shallow carvings are extremely superb.

Ivory carved plate root -type water -type water -type water, Qing (Qing Palace Old Tibetan)

Water 丞 caliber 1.5cm maximum diameter 6cm height 1.5cm height

Tong high 7cm diameter 6.5cm

The top of the Venus glass pumpkin type is covered with water, and the bottom is the root -type base of the ivory plate. Most of the water puppets are called water pels. The main role is to add water to the pond.

Clear tooth lotus leaf -style crab crab Palace Museum Tibetan

In the late Qing Dynasty, ivory dyeing carved cloud bat pattern plug screen

Qing Qianlong dyeing tooth carved flower socket

Clear ivory pen stand and rosewood embedded tooth gemstone

“Jade seat”

Jade carving is a long history of Chinese craftsmanship. It not only has a beautiful and artistic value, but also has the significance of culture and thought. Exhibited

Based on the jasper and dark green jade seats, most of them are decorated with round carving, relief and carving techniques. Whether it is antique and time, it is particularly exquisite.

Jasper wash, Qing (Qing Palace Old Tibetan)

Diameter 16.6cm high 16.2cm high

Jasper washing seats were synthesized by the top and lower parts: the upper part is a lock -shaped (horseshoe -shaped) seat with an internal, buckled on the circular tray below, the body is carved with finely rolled grass patterns, and the center of the lock surface is carved in the center of the lock surface Shouzi, both sides are symmetrical; the lower part is composed of a circular tray and six beasts swallowed. A small disc was inserted in the middle, and a group of life patterns are engraved with heart.

The color of the material is shallow to deep from top to bottom, and has a strong sense of stability. Although it is extremely fine, there is no disadvantage of carving. Jade is slightly transparent, distributed with black copper ore spots.

Qing Qianlong Jasper Eight -square Bottle

Qingqing and white jade carving sea water pattern mountains

Qingqing jade lotus -style Buddha seat

“Paint seat”

There are rich categories, including red lacquer, black paint, yellow paint, and gold paint. It is a variety of decorative techniques such as carving, lacquer, painting, painting, screwdriver, and treasure.

Black lacquer drawing the Golden Terrace -style base, Qing (Qing Palace Old Tibetan)

12.8cm wide 12.8cm high 6.9cm high

This base can speculate that the utensils should be related to the tribute according to their shape and decoration. The shape is a railing table. The overall is divided into two parts, the upper part is a fence -like table, the lower legs are fluffy, and the waist seat is high. The fence is carved with Ruye head, and the teeth and legs are all rushing cloud heads. The overall black paint is used, and the golden hook and drawing lotus pattern, flower branches, and Ruyi patterns are drawn. The shape is solemn and stable, rich and elegant.

Gold lacquer three multi -line boxes, in the middle of the Qing Dynasty (Old Tibetan in the Palace)

Border length 20cm height 5.5cm

Box side length 18.2cm pass height 26cm

Clear red fragrant box paint seat

Qianlong Qianlong Clear Carsh Paint Maple Leaf Box Boxes

Dark paint drawing gold hookolian cloud bat patriarchal

“Muzo”

The material is mainly yellow rosewood, rosewood, mahogany, chicken wings, and nanmu. Although it is classified as a small instrument, it is a small and refined epitome in the craftsmanship of the court.

Rosewood embedded Nanmu carvings, turbulent pendant three -way line

Qing (Qing Palace Old Tibetan)

44.6cm wide 14cm high 9.9cm high

These three companies can be basically judged as three things in the furnace box based on the shape system. The base shape is three consecutive desks. This style is similar to the form of architecture. The upper part is hierarchical, big and small. The lower part is a square standing wall. The top surface of the upper part is a falling hall, and the lower wall is carved with the rolled grass dragon pattern. The three squares are different in size. The shape is square, calm and elegant, and the carving is fine.

Rosewood three -way Ruyun base

15cm high 5.5cm high

This base can know its original object based on its inscription “Zhou Ziding”. Its shape is a three -way table -type base. Each Ruyi head is dug a round groove, the center is carved with hooks, high waist, and the legs of the ripples, Ruyiyou feet. The facial and fluffy teeth are full of clothing. The shape is complicated, the production is fine, simple and elegant.

Rosewood Jin Di base

31.5cm wide 19.5cm high 9.4cm high

Qing rosewood carving abducts and dragons half -monthly seat

Qing Rosewood Jin Di base

Qing rosewood carving Wanshouju base

Other materials

There are maintenance of ceramic seats, agate seats, crystal seats, courts, piercing, etc., showing the diversification of the raw materials. The shape and size of various types of seats are rich in changes. Most of the round, square, and polygons are used in shape and lines, and they are flexible.

Yongzheng Tiansan with purple glazed bowl tank and iron rust glaze seat

Yongzheng of the Qing Dynasty (Old Tibetan in the Qing Dynasty)

The diameter 26cm bottom diameter 15.8cm high 21.5cm

The whole device is divided into two parts, two parts as a whole. The upper part is a bowl, with a convergence of the mouth, round lips, and oblique arc. The lower part is a casual seat, with purple and black glaze in the seat, and the glaze is imitated with rosewood. The effect is realistic. The outsole is applied to the white glaze, and the “Daqing Yongzheng Year System” of the blue and white carcass “Daqing Yongzheng year”.

Pluffs white glaze hollow ceramics

Kangxi

A diameter 10.1cm high 9.4C

Yellow glass carving beast noodle tattoo bottle

Abdominal diameter 20cm high 8.3cm high

Kangxi style painting enamel lotus petals bowl seat

Kangxi (Old Tibetan in the Qing Dynasty)

Bottom diameter 10cm high 4.5cm high

Drawing enamel round lotus petals, the bottom and bottom two parts of the lotus petals high -footed base, the overall lotus petals are slightly convex, the craftsmanship is clever and exquisite, and the color is gorgeous. The bottom of the bowl is a red dual -line box “Kangxi Royal” regular script, and the bottom of the seat is the blue dual -line box “Kangxi Royal System” regular script.

Figure/Palace Museum, Garth Art Center

“The Palace Museum Tibetan Palace Exhibition” site “

“The Palace Museum Tibetan Palace Exhibition” site “

“Jade seat”

“Paint seat”

“Muzo”

Qing (Qing Palace Old Tibetan)

Qing (Qing Palace Old Tibetan)

Qing (Qing Palace Old Tibetan)

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